It happened in an instant, my
defection to the dark side. At the start of the bus trip down to the Phillip
Island camp site I had been firmly on the side of the gods, strongly of the belief
that whilst Kenworth trucks were aesthetically pleasing pieces of machinery,
their appearance on the traffic landscape was not cause for the sort of wild celebrations
a select group of boys from 6B insisted on indulging in. (The ‘Kenny Boys’, as
they dubbed themselves, were led by Chris McDonald and David Burns (‘Macca
& Burnsy’), a self-styled double-act who, with their bawdy banter and
difference in their respective sizes, saw themselves as a junior version of The
Two Ronnies; although the more general consensus was that they were a pair of
cretinous buffoons.)
It was Kenworth trucks that they were
interested in rather than trucks per se. In fact the only time either Macca or
Burnsy acknowledged any other brand’s right to even exist was when a
particularly splendid Mack came into view. (“Not bad,” they had grudgingly
admitted in unison. However this was quickly followed by a stern qualification
from Macca: “Not as a good as a Kenny though.”)
This Kenworth fixation stemmed from the
fact that in the inexplicably popular BJ
and the Bear – a TV show that explored, with great subtlety, the
relationship between a man and his monkey – the central character (‘BJ’) drove
a red and white Kenworth ‘K-100’.
Michael Russell and I occupied the
twin seats that separated Macca & Burnsy from most of their constituents; and
along with hearing “Kenny!” every five minutes, we had to endure, in the down
time between Kenworths, the Kenny Boys’ self-penned theme song – a largely
tuneless (and disappointingly tame) ditty that portrayed them as a band of
lovable rogues who were “always up to mischief wherever (they) may be”.
It would have been an untenable situation
but for a running commentary on proceedings that Michael and I instituted just
after the appearance of the second Kenworth.
We started out by discussing who we
thought was “the stupidest” of the Kenny Boys. (Michael nominated Matthew Smith,
citing his habit of yelling “Codger!” at any passing motorist over the age of
forty as ample evidence of his intellectual shortcomings.) Then, as a direct
response to a particularly distasteful episode whereby a Hino driver was cruelly
mocked for driving a “shitbox” for a living, we started to theorise as to how
each Kenny Boy would fare once they themselves made it to adulthood and found
they had to hold down jobs of their own. (Michael’s forecast for poor old
Burnsy was particularly bleak, having him jobless and living alone in a “shack”
on the outskirts of town.)
But somewhere around the sixty minute
mark it occurred to me: these guys may have been facing bleak futures as bit
players on the fringes of society, but right here right now they were centre
stage; right here right now girls were watching them. And as enjoyable as it may
have been, by sitting there making snide comments, Michael and I had fitted
ourselves with the roles of mere spectators to the main event.
This sat well enough with Michael. But
not with me. After several years of soaking up compliments about my running
ability (including regular assurances from no lesser an authority than Macca
himself that I’d “go to the Olympics one day”) I had developed the sort of ego
that meant that I could only go so long with the spotlight shining on someone
other than me.
So, when the Kenny Boys stood up to gauge
the progress of the next Kenworth on the horizon as it made its slow but inevitable
way towards our bus (which had maintained a funereal pace since the outset), I
joined them.
Michael was less than amused.
“What are you doing?” he said, his anger
palpable.
“Sorry,” I said, avoiding eye contact.
I turned away from Michael and towards the
Kenny Boys; but it seemed that there were doubters wherever I turned.
“I didn’t know you were into Kennys,” said
Macca, as he looked me up and down contemptuously. He wasn’t going to come
right out and say it, but it was obvious that he didn’t consider me ‘tough’
enough to be granted Kenny Boy membership.
What I needed was a pithy rejoinder that
both established my credentials as a genuine Kenworth aficionado and debunked
any notions that I was too effete for the supposedly rough and tumble world of
cross country trucking.
I couldn’t believe that they seemed to be
buying it as I spewed out a hastily cobbled together ode to the trucker’s way
of life, which I concluded with a suitably foul-mouthed reinforcement of the
myth that truckies were forever having indiscriminate sexual interludes in
their cabins.
“Yeah!” said Burnsy lasciviously. I was
in.
As the truck prepared to overtake our bus
I stood in hunched anticipation with my newfound comrades. Macca and Burnsy
had, just seconds before, given the driver the all-important visual directive
to ‘pull’ his horn. But so far: nothing. (Getting a Kenworth driver to sound his
horn was the ultimate prize for the Kenny Boys. Again BJ and the Bear was to blame: the most moronic scene in the show’s
opening credits sequence (and there were several strong contenders) depicted
the chimpanzee (the confusingly named ‘Bear’) grinning idiotically whilst
pulling the truck’s horn in order to attract the attention of a fellow Kenny
driver (a ludicrously attractive human
female); when she returns fire with a horn blast of her own it presumable sends
Bear into a delirium (although we are thankfully spared having to witness such
a disturbing spectacle).
Then, just as things were starting to look grim on the horn front (Burnsy for one, had given up hope and had started to openly speculate about the hapless truckie’s private life) the truckie sounded the horn.
Then, just as things were starting to look grim on the horn front (Burnsy for one, had given up hope and had started to openly speculate about the hapless truckie’s private life) the truckie sounded the horn.
The slightly mournful quality to the
cow’s ‘moo’ of the horn was lost in the jubilant scenes that followed: some (including
Burnsy who had presumably reversed his decision as to the truckie’s character) raised
their arms in victory; some shouted indiscriminately; and some gave the truckie
a spirited round of applause. Following Macca’s lead, I pumped both fists and
yelled “Kenny!” like a sociopath.
The truck passed. Excitement levels
returned to normal, and I sat back down. Michael looked at me. He didn’t have
to say it: he now had a new contender for the stupidest Kenny Boy.
While all this had been going on
the radio had been locked on 3MP; however MP’s relentlessly inoffensive,
some-would-say boring playlist had meant that it had gone largely unnoticed. It
turned out however that Frank Wood, who occupied a seat near the front of the
bus, had been lobbying hard for a) the dial to be turned to the more palatable
3XY, and b) for the volume to be increased.
Frank was that rare breed: a boy from 6B
with no interest in Kenworth trucks; and, unlike myself, he was unwavering on
this issue; and I suspect that his campaign, whilst mostly fuelled by an
understandable loathing of Anne Murray’s ‘You Needed Me’ (which 3MP seemed to
play it on the hour, every hour), was, in part, a ploy to drown out the Kenny
Boys.
(It was at the previous year’s house
sports carnival that Frank had first announced himself as a unique character; a
man who ran his own race, if you will. It was the second to last event of the
day: the Grade 5 boys 4x100 relay; and I just anchored my team to a relatively
easy win. After crossing the finish line I looked back to the crowd expecting
to accept a few plaudits, as presumably the emphatic victory could only have
served to enhance my reputation as a future Olympian; but, for once, nobody was
interested. They were all looking at Frank, who was running the last leg for
what must have been one of the weakest relay teams ever fielded in house sports
history – he was still a good 70 metres from
home and had the straight to himself. And the reason everyone was looking his
way, and not at me (the rightful star of the show) was that he was taking full
advantage of the similarities in shape and dimension between a gold relay baton
and a particular musical instrument. Yes, he completed the final 70 metres of
the race skipping and simulating playing the flute. I may have won the race,
but Frank had won over the crowd; my, I thought, awesome display of athletic
prowess turned out to be no match for the world’s most sarcastic Pied Piper
impersonator.)
The bus driver gave in to Frank’s hectoring
about five minutes after my induction into the Kenny Boys and the radio was
switched to 3XY. The first few songs came and went without incident; neither
Dire Straits’ ‘Water Of Love’ nor Nicolette Larson’s (sublime) ‘Lotta Love’ was ever going
to cause a riot. In fact, they were drowned out by another round or two of the
Kenny Boys theme (which I declined to participate in, citing unfamiliarity with
the lyrics – a relatively weak excuse as they were tattooed on my brain by that
stage).
Next up was ‘YMCA’ by the Village People;
and its galvanising effect was immediate, managing as it did to bring several
disparate groups together including (but not limited to): the oft-maligned
Recorder Girls, some of whom were so musical that they nonchalantly sang close
harmony lines during the chorus; the Guitar Boys, nominal guitar students who,
between them, barely managed to pitch a single note; and of course the Kenny Boys
themselves who, with Macca acting as the sort of choirmaster one might find in
prison, belted out the irresistible chorus with such conviction that the
seemingly impossible happened – a Kenworth went by completely unnoticed.
So, for just over four minutes we were all
singing from the same hymn book; united by a song with possibly the most
homoerotic subtext in pop history no less (its only serious rival in this
regard being the Village People’s similarly themed follow-up ‘In The Navy’).
And it should be noted here that our
enjoyment of ‘YMCA’ was entirely genuine; there was not a trace of irony, no
sense of kitsch.
I'd love to get hold of a copy of your book, Paul. This stuff is hilarious!
ReplyDeleteThanks Anon! Hopefully it'll be published in some form in the next 12 months. PBS
ReplyDelete